Music, cultural studies ; music, cultural studies ; music, cultural studies
Description:
Book Review
Publisher:
Urray
Year of Publication:
2009-04-29
Source:
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
This paper examines the sonic geography of the Icelandic ambient rock group Sigur Rós with particular reference to their documentary film Heima, which documents a tour the group made of remote places in their home country. Known for causing some people to faint or burst into tears during their concerts, Sigur Rós’s music could be said to express sonically both the isolation of their Icelandic location and to induce a feeling of hermetic isolation in the listener through the climactic ...
Publisher:
Urray
Year of Publication:
2009-04-29
Source:
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
This paper looks at two recordings connected with the strangely disquieting tract of fifteen or so square miles separating the northern shores of Botany Bay from the Pacific Ocean, in Sydney’s south-east. In 1964 the Atlantics, a band composed mainly of young migrant Australians produced a reverb-drenched guitar instrumental called “Bombora”. The name - an Aboriginal word referring to a type of submerged rocky reef, over which large ocean waves occasionally and unexpectedly break ...
Publisher:
Urray
Year of Publication:
2009-04-29
Source:
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
Hip hop is a powerful vehicle for the expression of identity and resistance in contemporary Aboriginal popular music. This paper examines the origins of Aboriginal hip hop and explains the reasons for its cultural and political significance. By looking at the influence of reggae in Aboriginal hip hop, especially in the work of CuzCo (Wire MC and Choo Choo), it locates hip hop’s history in terms of the reggae tradition in Aboriginal popular music, represented here by the work of ...
Publisher:
Urray
Year of Publication:
2009-04-29
Source:
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
The music of popular Mexican band Los Tigres del Norte illustrates a Mexican migrant and Chicano/a tradition of using popular music as an alternative way of narrating community life in the U.S.A., most notably the Mexican migrant, Chicana/o and Mexican-American experience of discrimination along ethnic, class, gender and cultural lines. The band grapples with the ways by which a dominant U.S. national discourse has historically subordinated Mexican migrant and Chicano/a communities. ...
Publisher:
Urray
Year of Publication:
2009-04-29
Source:
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...
Music, as Jacques Attali emphasises, “is a way of perceiving the world” (1985:4). Sarah Cohen also suggests that: “Individuals can use music as a cultural ‘map of meaning’, drawing upon it to locate themselves in different imaginary geographies… and to articulate both individual and collective identities” (1998: 286-287). Tia DeNora extends on this, pointing out that: “Music can be used as a device for the reflexive process of remembering/constructing who one is, a technology ...
Publisher:
Urray
Year of Publication:
2009-04-29
Source:
Transforming Cultures eJournal; Vol 4, No 1 (2009): Music and the Production of Place
Language:
en
Rights:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Copyright is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. Downloads of specific portions of the Transforming Cultures eJournal are permitted for personal ...